Now on newsstands – the latest cover of Petersen’s Photographic with my Jenny Lake, Wyoming (Grand Teton National Park) image.  

I also have eight articles and dozens of my photos inside to read and enjoy.  Check it out in stores everywhere!


Way back in 1990 when I was 22, during my college days at Brooks Institute in Santa Barbara CA, I had the chance to photograph Josef Muench at the tender age of 85 – father of David, grandfather to Mark – all great photographers in their own right, David probably being the most famous of the three.  


Josef was a landscape pioneer, many of his images gracing the pages of Arizona Highways for much of the 1940s and 1950s.  To my understanding, he worked for the magazine for roughly 50 years, and his stunning landscape images (shot with his 4×5 camera in 1936) helped place Monument Valley on the map.  He returned hundreds of times and to many, his views are some of the most memorable photographs ever taken of this southwest location.  He went on to capture images around the world, in Africa, Alaska, Asia, Canada, Colorado, Europe, and Hawaii.  Even the unmanned Voyager Expeditions, launched in 1977, included one of his photos (in a group of 117 images of Earth’s landscapes) – a snow-covered Sequoia redwood taken in Kings Canyon National Park.


Born in Germany in 1904, some say Josef once threw a tomato at Adolf Hitler, hitting him in the face.  I couldn’t verify this, but he sounded like my kinda guy.  While writing this post, I was able to find a nice quote online, Josef talking about the deserts of the Southwest: “When I first saw the desert I liked it. It was new and different. It immediately took on a meaning to me. I had heard it was barren. It isn’t. A little cactus–so delicate and beautiful, can hide from you. You have to go slowly, and look carefully.”


I can’t recall how I found his information when I was in college, but when I contacted him to fill one of my school assignments, he was kind enough to schedule a time, welcomed me into his home, sat patiently while I set up my 4×5 view camera, and allowed me to capture this portrait, even giving his suggestions on how he might pose.  

 

Portrait of Josef Muench, Santa Barbara, California – © Sean Arbabi | seanarbabi.com

We talked for a bit about photography, and although I wasn’t old enough to really interview him the way I would today, I knew I was with an old photographic soul, so I attempted to soak up his words of wisdom during our brief time together.  Ironically we shared the same age (11) when we received our first cameras, and now I’ve had the chance to photograph some of the places he visited (although oddly enough, I’ve traveled all through the Southwest but never been to Monument Valley and have had the desire for years).


He past away in 1998 at the age of 94, but his images live on- just Google his name (Josef with an “f”) to review some of his work.  May I be so lucky as to live as long as he did, viewing the world through photographic eyes.


14Aug

My Photo of the Month

Just wanted to share an image I recently shot while on assignment. I was hired to capture an image of Lombard Street in San Francisco – best known for its one-way section on Russian Hill (between Hyde & Leavenworth Streets)- eight sharp turns (or switchbacks) that have earned Lombard the distinction of being “the crookedest street in world (part of The Presidio and Cow Hollow neighborhoods).

I traveled to the city one day after scouting some locations on Google Earth (that’s right, sign of the modern age) and spent an afternoon picking the best spot to shoot from. Knowing the light could look nice at sunrise yet most likely devoid of vehicles, I choose to shoot in the late afternoon – not only to catch the hill in shade, slightly backlit, but also hoping the sun would reflect off of the street to help it stand out.

I shot from a few locations, one close to the actual street, others miles away. Using a 300mm lens with a 1.4 teleconverter and my digital 35mm SLR, I was able to crop the street nicely from one of my vantage points on Telegraph Hill. Although I mounted my lens on a large Gitzo tripod, I still set the mirror lock feature and shutter timer to keep the camera as steady as possible – afternoon winds blowing atop the hill made me worry about camera shake.

I shot all the way until twilight, finally documenting this scene below – the perfect time to capture a long exposure of the moving cars combined with the waning light of the day – which turned out to be my favorite. No filter was used and the final exposure turned out to be: f/11 @ 30 seconds using ISO 100

The magazine didn’t end up using this image, and picked another I photographed during the afternoon. Although I’m partial to this capture, an old editor of mine sent me an email after seeing my image in the magazine – he wrote: Your picture of Lombard St in VIA is probably the best I’ve seen. It’s so difficult to make a different shot of a famous place, and yours gave a new perspective. I can’t imagine how you got it without cars, and of course a nice touch with the cable car at the top.”

Once again proving photography, as all art, is subjective.